I mentioned in a previous post that I finished a second painting since getting back to the studio. I started these cherry blossoms last March before the big mishap, and the canvas has been sitting in my studio ever since. My first thought was to just leave it and finish it up next spring when the cherry blossoms are out again, and I also considered buying faux blossoms and trying to finish the painting that way. But I never use faux flowers for painting and I really didn't want to leave it sitting around for another eight months.
Because the buds were so delicate, I painted the background and the ginger jar first. This background has many coats of paint and I knew I would not be able to paint around the blooms, so as I did with my pussy willows, I let the background completely dry and then began doing the flowers. I got two sessions in with them before I had to stop painting.
Fast forward to two weeks ago. I finished the hydrangeas and needed another floral painting for a show I wanted to enter. Since I am the slowest painter alive, I knew I could not crank out another painting in two days ( my time before the deadline). On a whim I put the painting on the easel and just started painting. I figured the worst that could happen was I would have to wipe it out. No guts, no glory and all that.
This is where I left it the first night. The flower buds went right in, and I faked the ones on the wood shelf, and they went in fine as well. I also finished up the wood shelf without a problem. I did all that with no reference material whatsoever, so what was the problem? The ginger jar! The one thing that was sitting right in front of me was the hardest part of this painting.
The problem was that I decided the jar needed a few more coats of paint. That took some time, but was not too terrible. The main problem was that I like to have my porcelains completely dry before I put the pattern on, but in this case that was not going to happen. Now, I could have left well enough alone and just painted the pattern on the canvas the first day, but I have to have everything just right and the perfectionist in me could never just go with "good enough". So the next day, deadline day, I got back to it. I painted one more coat onto the jar and then got started putting in the pattern. It was not as difficult as I had thought it would be. The main difference is that it is not so easy to correct a mistake on a wet canvas. On a dry canvas you simply wipe it down and start over. With this situation, I still made plenty of mistakes, but had to be very delicate in removing them, as well as adding the paint back to the jar from the wipe out. I also redid the highlight about a thousand times. I was having a tough time getting it to look exactly like I wanted it to. It either looked like a blob of white, or it took over the whole top quarter of the ginger jar.
Finally it all worked and I got my show submission in at 9:30 pm. Two and a half hours before the deadline! There are reasons my hubs refers to me as 'Last Minute Frances' :)
This is the finished painting and I'm happy to say, it was accepted into the show! I've already started a new painting, and it's very nice to just be painting without worrying about a deadline. I'll have show info up soon.
Wednesday, August 22, 2018
Tuesday, August 21, 2018
Mauritshuis Museum On Instagram Stories
The Mauritshuis houses an amazing collection of Dutch and Flemish art from the Golden Age. I've not been lucky enough to visit the Netherlands yet, but you know it is on my list, and the Mauritshuis will be one of my first stops. I am a huge fan of Dutch and Flemish art and have been very influenced by the Golden Age painters in my own work.
Until I can get there in person, I happily follow their Instagram account. Recently, they had a great Insta Story showing the details of a beautiful painting, Forest Floor Still Life With Fruit And A Wicker Basket Of Flowers, by Abraham Mignon.
I have never saved photos from an Insta Story before, but I loved this painting so much that I took screen shots so I could study it further, and I thought you guys might like to see them as well.
This is really one of the most beautiful paintings I have ever seen. It has everything. Flowers, fruit, insects. All of the things that make the Dutch paintings so amazing. I've been studying these shots since they were posted and will continue to do so.
One of the amazing things about Instagram is being able to see art from around the world. If you love Dutch and Flemish art as much as I do, give the Mauritshuis a follow.
Mauritshuis
The Hague, Netherlands
Until I can get there in person, I happily follow their Instagram account. Recently, they had a great Insta Story showing the details of a beautiful painting, Forest Floor Still Life With Fruit And A Wicker Basket Of Flowers, by Abraham Mignon.
I have never saved photos from an Insta Story before, but I loved this painting so much that I took screen shots so I could study it further, and I thought you guys might like to see them as well.
This is really one of the most beautiful paintings I have ever seen. It has everything. Flowers, fruit, insects. All of the things that make the Dutch paintings so amazing. I've been studying these shots since they were posted and will continue to do so.
One of the amazing things about Instagram is being able to see art from around the world. If you love Dutch and Flemish art as much as I do, give the Mauritshuis a follow.
Mauritshuis
The Hague, Netherlands
Monday, August 20, 2018
New Painting: Hydrangeas In A Ginger Jar
Hi All,
I'm thrilled to be back to painting and have been spending a ton of time in my studio. I was also painting for a floral show that I wanted to enter, so things have been a little crazy the last few weeks.
I decided to do some hydrangeas in the ginger jar. I didn't plan that in advance. I tried out a bunch of different vases and the ginger jar is what looked the best, so that is what made it on to the still life shelf. I was not sure what else I wanted to add to the set up, so I just started out with the flowers in the vase, knowing I could add more later.
The block in went surprisingly well. Trying to get the symmetry of the ginger jar usually drives me up the wall, but this time it just needed a few tweaks.
This was the magic moment when the flowers started to look like hydrangeas and I knew the painting would work. I also added a few blooms to the shelf, but ended up changing those around as I went on.
The start of the ginger jar pattern going in. I also painted out the pink hydrangea on the shelf, though it did go back in on the other side as I did not want to have an even number of flowers.
I lost track of how much time I spent futzing with the highlight on the jar. I painted it on and wiped it out many times over several days before I felt it was right.
Here is the finished piece. It was almost impossible to get a good shot of this painting, so when it dries (which is taking forever now that New York City has turned into a tropical rain forest), I will varnish it and take out the pro camera.
This is the first painting that I have completed since last February and I've since finished another. I'm so happy to be back in the studio!
I'm thrilled to be back to painting and have been spending a ton of time in my studio. I was also painting for a floral show that I wanted to enter, so things have been a little crazy the last few weeks.
I decided to do some hydrangeas in the ginger jar. I didn't plan that in advance. I tried out a bunch of different vases and the ginger jar is what looked the best, so that is what made it on to the still life shelf. I was not sure what else I wanted to add to the set up, so I just started out with the flowers in the vase, knowing I could add more later.
This was the magic moment when the flowers started to look like hydrangeas and I knew the painting would work. I also added a few blooms to the shelf, but ended up changing those around as I went on.
The start of the ginger jar pattern going in. I also painted out the pink hydrangea on the shelf, though it did go back in on the other side as I did not want to have an even number of flowers.
I lost track of how much time I spent futzing with the highlight on the jar. I painted it on and wiped it out many times over several days before I felt it was right.
Here is the finished piece. It was almost impossible to get a good shot of this painting, so when it dries (which is taking forever now that New York City has turned into a tropical rain forest), I will varnish it and take out the pro camera.
This is the first painting that I have completed since last February and I've since finished another. I'm so happy to be back in the studio!
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