Friday, October 27, 2017

The Nippon Club Culture Courses Exhibition 2017

Wednesday evening I had the pleasure of attending an art exhibition at the Nippon Gallery of the Nippon Club here in New York City.  A friend of mine had some paintings in the show, so I got to see her work, as well as work by other members of the club.

The wiki page for the Nippon Club states that the club exists to "enhance the unity of Japanese people in New York City and to foster relationships with the American people".

The Club has a beautiful exhibition space that showcased not only the paintings, but calligraphy, photography and Ikebana (the Japanese art of flower arranging) as well.
































The show is on until 5pm tomorrow.  If you are local or visiting here in New York, I urge you to stop in and take a look at this beautiful and interesting exhibition.

Sunday, October 22, 2017

How To Set Up For A Floral Painting Workshop

Last month Gregg Kreutz was back at The Art Guild Of Port Washington, this time for a two day floral workshop.

We had a sold out class, so we needed fourteen floral set ups.  Thirteen for the students and one for Gregg.  My studio mate is a very talented floral designer and we worked together to get everything done for the workshop.

We gathered a ton of flowers, fruit and various vases and objects and got to work.










Once we had everything gathered, we began to do the set ups.  As you can see, the beginnings of a still life set up are not very glamorous.  Several weeks before the workshop, we began collecting milk crates to use as a base.  A few days prior to the workshop, we got the wooden shelves at Home Depot. You just tell them the size you want and how many and they cut them right there.  We then stained them using Minwax Dark Walnut, the same color I stained the shelves in my studio.

My bud Ilene and I work very well together, so we always have fun setting up.  I'm good with still lifes and she is great with flowers, so between us we get it done.

After placing the wooden shelves on top of the milk crates, we put a presentation board behind the crate in order to hold the fabric.  We got these from Staples, but the party store near my house carries them as well.  We draped the fabric over the board and then secured it in place with large clips.









It was then time to get to the flowers and fruit.  We started by picking out a vase that worked with the particular fabric we were working on.  We would then choose flowers that complimented them both and then we would decide if the set up needed anything else.  Some we left with flowers only, others we added fruit, petals, another object or something else.  You can't really decide in advance what you will do.  Once you have your main pieces in place you have to experiment a bit to see what looks the best.

Here are some of our set ups.














This is the set up that I painted











You'll notice in the photo above that there are post it notes on the shelf.  Due to the fact that we did the set ups the day before the workshop, we did not want to leave cut up fruit or petals out an extra night, so we used the post it notes as reminders of what needed to be done the next morning.  They were very specific - "apple slice", "rose petal", "green leaf".  The first morning of a workshop can be a little chaotic and you don't want to have to try and remember what you wanted for the set up.  With the reminder notes you can just get down to business without having to think about it too much.

Gregg starting the workshop with a demo


One tip, make sure you have extra fruit and flowers for the second or third days of the workshop.  Things often have to be replaced, usually cut fruit or some of the stems, and you don't want to be caught short.

Setting up a still life is a lot like being a stylist.  There are two guidelines that I follow:  You want the shape to be triangular and the set up should read from left to right.  After that, it is really a matter of using your eye to see what works.  This takes some time, so don't rush it and don't worry if you don't get it right the first time.  After we set everything up, we went back around to each still life and double checked that everything was in order.  Sometimes things stayed the same, others we adjusted by either adding something or taking something out.  On one of them, we spent some time deciding if we were going to use one grape or two on the shelf.  There was a guy in the office fixing the computer and I'm sure he thought we had gone completely off the deep end, but these tiny details matter.  You don't want a boring or incomplete still life set up, not for yourself and certainly not for a workshop.

We had a great two days painting flowers and the students raved about the set ups.  I was so happy that people really liked them because you want to do the best for your workshop participants. As for my painting, I decided to use a 16x20 canvas so I didn't get very far, but I did manage to get the whole canvas covered and I am working on it now.  Luckily, my floral designer is right across the hall :)

Have any questions about  setting up?  Leave me a comment!

Wednesday, September 27, 2017

Dale Chihuly At The New York Botanical Garden

Hi All.  I have a lot to catch up on here.  Lets start with some pics of the Dale Chihuly exhibit at The New York Botanical Garden.  The New York Botanical Garden is located in the Bronx and is the largest botanical garden in the United States.  The Garden was created in 1891 and is now a National Historic Landmark.




I do not remember visiting the garden in the past, but I had a few deja vu moments while walking in from the street and again upon seeing the conservatory.  I think I must have gone there as a child.  In any case, I was glad to be visiting again.  This is Dale Chihuly's first major garden exhibition in New York in ten years, so I was happy to be able to see it.

The Chihuly glass sculptures are located throughout the grounds, which is a really fun way to see the exhibition.  While you are walking through the conservatory or the gardens, the glass sculptures pop up and look as if they are meant to be part of the plant life.





This enormous glass sculpture is just outside the conservatory.  It is hard to show in the photos just how big it is.  After walking past this we made our way into the conservatory.


Persian Pond and Fiori, Dale Chihuly, 2017


I know almost nothing about gardening, but inside the conservatory felt like being in a rain forest (or what I imagine a rain forest would feel like).  In the middle of the pond were more glass sculptures.  I loved how they are situated in order to be part of the natural setting.




White Belugas, Dale Chihuly, 2017












Outside of the conservatory was a large water garden, one of my favorite things ever.  I fell in love with nympheas after visiting Claude Monet's gardens in Giverny, so it was a nice surprise to see them here.






And check this out:  the gardeners go in the water in chest high rubber suits and and boots!  I never knew that water lilies had to be tended to, but I guess water gardens have to be taken care of like every other garden.

Scarlet and Yellow Icicle Tower, Dale Chihuly, 2013


At this point the rain clouds rolled in, but you can still see this amazing glass sculpture.  This one is enormous.  I cannot imagine how they moved it and set it up, but they did and it was fun to just come upon it while walking around the water garden.






Back inside, there were more Chihuly sculptures.


















Sapphire Star, Dale Chihuly, 2010


The gardens and exhibit are beautiful, quiet and peaceful.  You would never know you are in the middle of New York City.  The Garden is easily reached by car, bus, subway and Metro-North.  If you are local or visiting New York, go check out this exhibition.  I think you will love it as much as I did!