Varnishing Day

Mother Nature finally blessed us with a perfect spring day today.  No wind, no humidity or rain and a 64 degree temperature.  That means it was time to pull out the varnish and get to the paintings that have been sitting around all winter.  Luckily for me I have a terrace so I can work out there and then leave the paintings out to dry.  I brought the paintings and my supplies outside and got to work.

Varnishing sounds intimidating, but it is really quite easy.  Just lay some plastic or a drop cloth over your work surface and get a good brush.  That is all you need.  I use Gamblin Gamvar varnish.  It is easy to use, can be removed with mineral spirits and the smell doesn't make you feel like you want to pass out.  The Gamblin website has a short video of the process that is very helpful if you haven't varnished before and want to give it a try.

Once you get your supplies together, it is time to bring the paintings outside.  The first step:  clean the painting with an old T-shirt to get any dust off of the surface.  Then put the painting in a sunny spot to check for dust again.  If there is any left you will see it right away.  When there is stubborn dust that won't come off with the rag, roll a piece of blue painters tape into a circle and roll it over the painting.  Gregg taught me this trick when my landscape fell face down in the dirt.

When that step is completed it is time to apply the varnish.  I got this wide mouthed jar at The Container Store and it works great, but you can use a plastic cup in a pinch.  Just make sure you have a funnel to put the unused varnish back in the bottle.  

This is the painting after I completed the varnishing.  It is easiest to work in an assembly line and just get them all done at once since this project is so dependent on the weather.

I went over this painting with the blue tape and then varnished (notice my classy paint stained pants!)

I thought this painting was fine after dusting.  Good thing I put it in the sun because sure enough there was dust all over.

I use a large brush and apply one coat of varnish.  I follow the technique in the Gamblin video and it works great.

When you are finished, put the paintings upright to dry for a couple of hours.  You will have to check on them every twenty minutes or so the first hour to make sure nothing blowing around gets stuck on the wet surface.  In my case I also have to watch out for my very curious studio assistant.

One last caveat, make sure the painting you are varnishing is dry to the touch.  Gamblin recommends waiting three to six months before varnishing and I think that is a good rule of thumb, but I've done it at two months and did not have any problems.

If you have any questions about varnishing or cleaning paintings, leave me a comment.  I'll do my best to help.  (As usual, I didn't receive any comps from these companies.  I'm just a satisfied customer).

Happy Weekend!
Frances

Art Supplies

I'm always curious about the supplies artists use to make their creations so I thought I'd talk a bit about what I use.  When I first started painting I had a million different supplies.  I had paint in every color, a ton of brushes, different mediums, palettes and every gadget imaginable.  I could go into the art supply store for one thing and come out with bags of art materials.

What I didn't know at the time is that having a ton of art supplies around will not make you a good painter.  Educating yourself and practice are what it takes.  A few years ago I noticed that the best painters in my class had very few supplies- usually just a small paint box, some brushes, a medium, palette and a limited number of colors.  I decided to do the same and it completely changed the way that I paint.  When I got rid of the clutter I became a much better painter.

My current palette consists of:

Titanium White
Cadmium Yellow Light
Cadmium Yellow Deep
Yellow Ochre
Cadmium Red
Burnt Sienna
Transparent Red Oxide
Burnt Umber
Raw Umber
Alizarin Crimson
French Ultramarine
Ivory Black

I use a variety of filbert brushes, 922 Medium, two palette knives (one large and one small) and turpenoid.  I paint on Innerglow Panels. I started using these a few years ago and doubt I'll ever go back to canvas.  These boards have a great surface to paint on so no prep is needed and they are double sided.  If you don't like your painting, just turn it over and start again.

With the exception of an easel, this is it. Using a limited palette of colors is actually much easier and the colors are better when you mix them yourself.

Last, but not least, my studio assistant. Every artists needs one.