The other day I decided to look up when I wrote my first blog post. I thought it was in the fall and was shocked to find out that it was July 15! I can't believe that one year has passed since I sat down and finally made that first post.
I'm amazed that one year has gone by and equally amazed at all the great things that have happened due to the blog. I still can't believe that people around the world are looking at my paintings every day. That is something I could not have imagined years ago when I began painting.
I've also met many of the great bloggers that I have admired for years. Holly from decor8, Leslie of A Creative Mint, Shauna of Nubbytwiglet, Kat from Rock and Roll Bride, Gala of GalaDarling and Molly Crabapple.
If not for the generosity of these ladies sharing their blogging and business wisdom, this blog would not exist. Thank you to all of them and thank you to each and every one of my dear readers. I'm very excited to start my second year of this adventure and hope you will all come along for the ride!
Xo,
Frances
Monday, July 15, 2013
Sunday, July 14, 2013
Some Links for a Sunday Night
Hi Everyone. Hope everybody had a great weekend. Here in New York we are enjoying our first day without rain in some time. Unfortunately, it was also 90 degrees. Too hot to attend the paint out I had scheduled for today, so what have I been doing? Catching up on blogs and articles. I found some very interesting posts and thought I would share a few with you. I was out of town for a few days so I don't have any new painting photos to show you, but painting will commence again this week so keep an eye out for some new completed panels.
Do you love the California Impressionists? I sure do. Bonhams is having a sale and Underpaintings has the scoop. Scroll down to the end of the post for a big surprise. I know it shocked the hell out of me!
Tired of searching Ebay and used bookstores for the Andrew Loomis books? Now you don't have to. Titan Books has released new editions of them all. Click on over to Art and Influence to read all about it. I paid $90 on Ebay to purchase an original copy of Figure Drawing For All It's Worth, so I'm happy to be able to buy the others at a reasonable price.
Does the thought of writing an artist statement drive you mad? All I can think about is Elaine Benes and the Himalayan walking shoes whenever I try to write one, but after years of searching for a decent tutorial on this, I finally found one today. Alan at artbusiness.com has a great post about it and I actually wrote one out in about an hour today using his recommendations.
Alan also has a very thought provoking post about artists and business and why we need to get serious about taking responsibility for our own careers, rather than depending on a gallery to do everything for us.
In closing, I must give a shout out to one of my Blogcademy headmistresses, the amazing Gala Darling.
I have been inside working on art related things all day and feeling kind of bad about it. No rain on a weekend had me feeling like I should be "doing something". Then I happened upon the post she put up today. Thank you, Gala!!
Have a great night everybody. I'll see you back here tomorrow.
Do you love the California Impressionists? I sure do. Bonhams is having a sale and Underpaintings has the scoop. Scroll down to the end of the post for a big surprise. I know it shocked the hell out of me!
Tired of searching Ebay and used bookstores for the Andrew Loomis books? Now you don't have to. Titan Books has released new editions of them all. Click on over to Art and Influence to read all about it. I paid $90 on Ebay to purchase an original copy of Figure Drawing For All It's Worth, so I'm happy to be able to buy the others at a reasonable price.
Does the thought of writing an artist statement drive you mad? All I can think about is Elaine Benes and the Himalayan walking shoes whenever I try to write one, but after years of searching for a decent tutorial on this, I finally found one today. Alan at artbusiness.com has a great post about it and I actually wrote one out in about an hour today using his recommendations.
Alan also has a very thought provoking post about artists and business and why we need to get serious about taking responsibility for our own careers, rather than depending on a gallery to do everything for us.
In closing, I must give a shout out to one of my Blogcademy headmistresses, the amazing Gala Darling.
I have been inside working on art related things all day and feeling kind of bad about it. No rain on a weekend had me feeling like I should be "doing something". Then I happened upon the post she put up today. Thank you, Gala!!
| Gala and I at the First Blogcademy class |
Have a great night everybody. I'll see you back here tomorrow.
Friday, July 5, 2013
Peonies and Cherries
I'm back to tell you about the second painting I finished up this week, another lovely bouquet of peonies. There is a stand at the farmers market that has the most incredible peonies. They are so beautiful that I am forced to buy them whenever I am there. I was hoping the seller would have beautiful flowers all summer long, but he told me that when the peonies are no longer blooming, they are switching over to blueberries!? Oh well, I'll just have to enjoy them while they are here, right?
This is the original set up. Not very exciting, I know, but as I needed to get the flowers done before they wilted, I just dropped them in the vase and got to work.
This is the end of the second painting session. I don't have the block in to show you because I hadn't actually planned to paint this bouquet. I have several other paintings that need to be finished up and I had planned to work on one of those, but then I saw these peonies at the market and that plan changed immediately. I brought them to my studio, set them up, and then realized the one thing I didn't have was a canvas. So I had to do what almost every artist has had to do at one time or another: choose which painting was going to be sacrificed. After debating for a few minutes, I chose an early figure painting. It was good, but not great and a figure painting isn't easily made over without the model.
Once I got started, the flowers went in very easily. They were done in two sessions. I was in shock that they were done so quickly as my last bouquet of peonies almost sent me into a nervous breakdown.
On Wednesday I put the background in again and finished up the blue and white pitcher.
At this point I realized that I forgot to bring the grapes I had planned on using on the right side of the painting. I wasn't sure what I was going to do when I realized that I had picked up a box of cherries that morning for my husband so I dug into those. I guess the theme of this post is when in the studio, use what you have!
Peonies and Cherries, 16x20, oil on panel
Here is the finished painting. I'm so excited to have a studio for the first time during the summer. I've long dreamed of being able to spend the summer painting beautiful flowers and I'm having the best time.
Next on the list, the hydrangea still life will be finished next week and I have another floral still life that needs a little tweaking.
Have a great weekend everybody. See you back here Monday.
Xo,
Frances
This is the original set up. Not very exciting, I know, but as I needed to get the flowers done before they wilted, I just dropped them in the vase and got to work.
This is the end of the second painting session. I don't have the block in to show you because I hadn't actually planned to paint this bouquet. I have several other paintings that need to be finished up and I had planned to work on one of those, but then I saw these peonies at the market and that plan changed immediately. I brought them to my studio, set them up, and then realized the one thing I didn't have was a canvas. So I had to do what almost every artist has had to do at one time or another: choose which painting was going to be sacrificed. After debating for a few minutes, I chose an early figure painting. It was good, but not great and a figure painting isn't easily made over without the model.
Once I got started, the flowers went in very easily. They were done in two sessions. I was in shock that they were done so quickly as my last bouquet of peonies almost sent me into a nervous breakdown.
On Wednesday I put the background in again and finished up the blue and white pitcher.
At this point I realized that I forgot to bring the grapes I had planned on using on the right side of the painting. I wasn't sure what I was going to do when I realized that I had picked up a box of cherries that morning for my husband so I dug into those. I guess the theme of this post is when in the studio, use what you have!
Peonies and Cherries, 16x20, oil on panel
Here is the finished painting. I'm so excited to have a studio for the first time during the summer. I've long dreamed of being able to spend the summer painting beautiful flowers and I'm having the best time.
Next on the list, the hydrangea still life will be finished next week and I have another floral still life that needs a little tweaking.
Have a great weekend everybody. See you back here Monday.
Xo,
Frances
Thursday, July 4, 2013
Happy 4th And A New Landscape
Hi everybody. It's been a busy painting week around here. First, I want to wish my American readers a happy Fourth of July. Today is the first time in awhile we are having a sunny day with no rain, so I hope every one is out having fun.
I snapped this pic of the Empire State Building all lit up for the holiday last night. But I spent the day painting and managed to finish up two paintings.
This is the first. This painting is what Gregg refers to as a phony landscape, meaning it is not done from any sort of reference. We do them as an exercise and just make them up. I had beginning photos, but they seem to have disappeared into the ether, so I'll have to show this one first. This shot is after the third session working on the painting. I thought I was finished, but after spending a few days looking at it, I decided I needed one more day to be completely done. That happens a lot in painting, so if possible, it's best to let them sit a few days just to be sure no more work is needed.
The bush on the left was looking a little flat and the river didn't seem "water like" enough for me. I also decided to brighten up the grass in front and add a little blue sky into the sunlight.
The River, 18x24, oil on panel
This is the finished result. I'm quite happy with it now. It was very wet so I couldn't sign it, but I will take care of that tomorrow. Then I just have to let it dry, varnish and photograph it.
I love doing fake landscapes. They allow you to work out all the difficulties of landscape painting in your studio. Much easier than when you are outside fighting the weather, changing light and people who want to chat. After I did my first fake, I found painting outside to be much easier.
I'll be back tomorrow with a recap of my finished floral still life. Hope you are all having a great day!
I snapped this pic of the Empire State Building all lit up for the holiday last night. But I spent the day painting and managed to finish up two paintings.
This is the first. This painting is what Gregg refers to as a phony landscape, meaning it is not done from any sort of reference. We do them as an exercise and just make them up. I had beginning photos, but they seem to have disappeared into the ether, so I'll have to show this one first. This shot is after the third session working on the painting. I thought I was finished, but after spending a few days looking at it, I decided I needed one more day to be completely done. That happens a lot in painting, so if possible, it's best to let them sit a few days just to be sure no more work is needed.
The bush on the left was looking a little flat and the river didn't seem "water like" enough for me. I also decided to brighten up the grass in front and add a little blue sky into the sunlight.
The River, 18x24, oil on panel
This is the finished result. I'm quite happy with it now. It was very wet so I couldn't sign it, but I will take care of that tomorrow. Then I just have to let it dry, varnish and photograph it.
I love doing fake landscapes. They allow you to work out all the difficulties of landscape painting in your studio. Much easier than when you are outside fighting the weather, changing light and people who want to chat. After I did my first fake, I found painting outside to be much easier.
I'll be back tomorrow with a recap of my finished floral still life. Hope you are all having a great day!
Wednesday, June 26, 2013
The Blogcademy New York City Reunion
It's been a crazy week over here, so I was thrilled to take a break to attend a lunch for the reunion of the first Blogcademy class, which took place right here in NYC.
I was so happy to see the fantastic Blogcademy headmistresses as well as some of the former students from the original class. If you are unfamiliar with The Blogcademy, please check out their site. Shauna, Kat and Gala run two day blogging workshops all over the globe. If you want to start a blog, improve the blog you have, or learn about the business side of blogging, this class can't be beat.
We had a huge table at the Smith Restaurant. I'd never been there before, but I'll definitely be back. Great food, service and atmosphere.
The top photo is me with Gala, the one below with Shauna. I didn't get a picture with Kat, but I will next time.
We had a huge table at the Smith Restaurant. I'd never been there before, but I'll definitely be back. Great food, service and atmosphere.
The top photo is me with Gala, the one below with Shauna. I didn't get a picture with Kat, but I will next time.
Here is the schedule of classes. If you have the opportunity to learn from these amazing women take it. I'm so glad I did!
Tuesday, June 18, 2013
Two Down, One To Go!
Yes, I finished another painting yesterday. If you recall, I was working on three paintings at the same time. Not my usual way of working, but with flower season in full swing, I have had to change things up a bit.
I did not paint this in my studio, so I just have a few not so great phone snaps, but I wanted to show you the painting right away. I will take it home next week and sign it, then in a few weeks it will be ready to be varnished and photographed.
This is the end of the second painting session on this piece. After blocking everything in (including the background), I added the shadows.
This is the end of day three. As you can see, things are much more refined than in the first shot. The shadows and highlights are in. Now it is time to add the details.
This is the finished painting. I darkened up the shadow on the white vase and added in the pattern. Then I tackled the pattern on the fabric. Funny thing about that - it took me over an hour to do that small vase and about twenty minutes to do the fabric! Painting can be strange like that. Something you think will be difficult is easy, and another thing that looks easy can make you want to tear your hair out.
So that is it for this one. Next up, the hydrangeas I have been working on. The flowers are long since done, but I'm concerned that the glass isn't "glassy" enough. Of course I'll show you the whole process. We'll see what tomorrow brings - hopefully a finished painting!
I did not paint this in my studio, so I just have a few not so great phone snaps, but I wanted to show you the painting right away. I will take it home next week and sign it, then in a few weeks it will be ready to be varnished and photographed.
This is the end of the second painting session on this piece. After blocking everything in (including the background), I added the shadows.
This is the end of day three. As you can see, things are much more refined than in the first shot. The shadows and highlights are in. Now it is time to add the details.
This is the finished painting. I darkened up the shadow on the white vase and added in the pattern. Then I tackled the pattern on the fabric. Funny thing about that - it took me over an hour to do that small vase and about twenty minutes to do the fabric! Painting can be strange like that. Something you think will be difficult is easy, and another thing that looks easy can make you want to tear your hair out.
So that is it for this one. Next up, the hydrangeas I have been working on. The flowers are long since done, but I'm concerned that the glass isn't "glassy" enough. Of course I'll show you the whole process. We'll see what tomorrow brings - hopefully a finished painting!
Thursday, June 13, 2013
Peonies
I started out by blocking in the placement of the vase and flowers.
I use a mix of ultramarine blue and transparent red oxide to do the block in. As you can see, it is very simple. Just enough to get the placement of the objects before the actual painting begins.
Next I put in the background. This is a great method I learned from Gregg and I plan to do a whole post on it in the future.
Then the fun starts. I started painting in the flowers and put a coat of white over the vase, just to get the whole canvas covered up.
This is where things got tricky. I ended up changing the floral set up a few times until it looked good on the canvas. Of course, that meant that I had to wipe out the flowers multiple times so that they corresponded with the set up. I'm telling you, these peonies drove me nuts. I literally had to lie down after working on them all day Tuesday.
Yesterday I figured I was in for more of the same, but the stars finally aligned and I finished up the entire painting in just a couple of hours! I decided to ignore the flowers and just work on the vase. That got me going and I realized I only needed to change out one flower. After that I just had to darken up some shadows and add in the blue pattern.
I considered spending some more time on this, but realized that I was getting dangerously close to what Gregg calls "don't blow it" territory. You know that thing that happens when everything is good and then you make one stroke too many and then you have to redo the whole painting? I did not want that to happen so I quickly signed it and declared it done. (Blogger reversed the signed and unsigned paintings and I could not get it back. Sorry about that).
Sunday, June 9, 2013
Painting Updates
Hi Everybody. I wanted to update you on what has been happening in the studio. I'm working on three (!) different paintings at the same time. Normally I start a painting and work on it until it is finished, but that is on hold for the summer.
Every year around this time, I start seeing all the gorgeous flowers at the greenmarkets, and I was always so disappointed that I did not have a place to paint them. Now that I have my studio I'm so excited to be painting all of these beautiful flower arrangements.
I started out with some great hydrangeas and ranunculus. I got the flowers all painted in, but the rest of the set up has been a struggle. The correct way of working is to paint the whole canvas at once, but with flowers I break this rule because they don't last long and aren't easily replaced.
I was working away on this painting when I spotted a booth at the greenmarket selling the most beautiful peonies. Of course, the hydrangeas went on hold while I got to work on the new painting.
I snapped this with my phone so it is not the best photo, but I wanted to show you how it is coming along. This was the end of day three. It's been a bit of a struggle. The insane weather we had last week and oil painting do not mix very well. We had five inches of rain on Friday! The panel was not drying overnight and my paints were a bit sticky. I'm hoping for better weather and more progress on this over the next few days.
I showed this painting in my last post. It needs a bit more work as well and has some greenery that has to go in tomorrow.
So that is what I've been up to the last two weeks. I'm hoping to have some finished paintings to show you over the next week or two. Unless I find another bouquet I can't resist...
Every year around this time, I start seeing all the gorgeous flowers at the greenmarkets, and I was always so disappointed that I did not have a place to paint them. Now that I have my studio I'm so excited to be painting all of these beautiful flower arrangements.
I started out with some great hydrangeas and ranunculus. I got the flowers all painted in, but the rest of the set up has been a struggle. The correct way of working is to paint the whole canvas at once, but with flowers I break this rule because they don't last long and aren't easily replaced.
I was working away on this painting when I spotted a booth at the greenmarket selling the most beautiful peonies. Of course, the hydrangeas went on hold while I got to work on the new painting.
I snapped this with my phone so it is not the best photo, but I wanted to show you how it is coming along. This was the end of day three. It's been a bit of a struggle. The insane weather we had last week and oil painting do not mix very well. We had five inches of rain on Friday! The panel was not drying overnight and my paints were a bit sticky. I'm hoping for better weather and more progress on this over the next few days.
I showed this painting in my last post. It needs a bit more work as well and has some greenery that has to go in tomorrow.
So that is what I've been up to the last two weeks. I'm hoping to have some finished paintings to show you over the next week or two. Unless I find another bouquet I can't resist...
Wednesday, June 5, 2013
Potpourri
Hello Everyone,
I wanted to check in to say hi and show you what I've been up to the past week. I've been a bit under the weather so there has not been much painting going on, but I did work on this still life setup this week.
This isn't the best photo. I just quickly snapped it with my phone at the end of the painting session. This was day two working on this painting. It needs another two or three more to get it finished.
I also stopped by New York City's version of Monet's pond. Here are a few snaps that I took last evening. Unfortunately, there is a lot of algae floating around, but I will take some artistic license and pretend it's not there.
I had intended to set up there tomorrow for a day of en plein air painting, but then I saw these beauties at the farmer's market.
There was a whole stand dedicated to peonies. You know I couldn't pass those up, so tomorrow will be a studio day while I get these painted. Peonies don't last long so they have to be painted right away.
I'm hoping some of the closed buds open up by tomorrow morning, but either way I can't wait to paint this bouquet.
I'll be back tomorrow with a full recap of the peony painting event. Can't wait to get started!
I wanted to check in to say hi and show you what I've been up to the past week. I've been a bit under the weather so there has not been much painting going on, but I did work on this still life setup this week.
This isn't the best photo. I just quickly snapped it with my phone at the end of the painting session. This was day two working on this painting. It needs another two or three more to get it finished.
I also stopped by New York City's version of Monet's pond. Here are a few snaps that I took last evening. Unfortunately, there is a lot of algae floating around, but I will take some artistic license and pretend it's not there.
I had intended to set up there tomorrow for a day of en plein air painting, but then I saw these beauties at the farmer's market.
There was a whole stand dedicated to peonies. You know I couldn't pass those up, so tomorrow will be a studio day while I get these painted. Peonies don't last long so they have to be painted right away.
I'm hoping some of the closed buds open up by tomorrow morning, but either way I can't wait to paint this bouquet.
I'll be back tomorrow with a full recap of the peony painting event. Can't wait to get started!
Friday, May 31, 2013
Impressionism, Fashion and Modernity At The Metropolitan Museum Of Art
This past Monday, I made it just in time (literally) to see the Impressionism, Fashion and Modernity show at the Metropolitan Museum. The show combined two of my favorite things, art and fashion, and I throughly enjoyed it.
I've done a lot of reading and research about the Impressionist painters, but this is one aspect of their work that I never knew about. According to what I read at the show, the painters consulted fashion illustrations and fashion photos and posed their models in the same way as these ads. They painted on large canvases to show off the clothes, and many times the models were looking away. The idea was that if the models were looking away, the viewer would notice the clothes first.
Aside from the beautiful paintings, there were dresses and fashion illustrations on display. Unfortunately, since this was a special exhibition, no photography was allowed. I only got one shot off before the guard caught me, so here are a few photos from the Met Museum website.
The very lucky Heather of Habitually Chic was invited to a semi-private tour and was allowed to take photographs, so please click over to her site to see more.
You can also purchase the catalog from the show here.
I really enjoyed this show. Not just for the beautiful paintings, but because I learned something new about artists I have admired for years.
I've done a lot of reading and research about the Impressionist painters, but this is one aspect of their work that I never knew about. According to what I read at the show, the painters consulted fashion illustrations and fashion photos and posed their models in the same way as these ads. They painted on large canvases to show off the clothes, and many times the models were looking away. The idea was that if the models were looking away, the viewer would notice the clothes first.
Aside from the beautiful paintings, there were dresses and fashion illustrations on display. Unfortunately, since this was a special exhibition, no photography was allowed. I only got one shot off before the guard caught me, so here are a few photos from the Met Museum website.
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| Camille, Claude Monet (courtesy MetMuseum.org) |
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| Madame Louis Joachim Gaudibert, Claude Monet (courtesy MetMuseum.org) |
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| The Millinery Shop, Edgar Degas (courtesy MetMuseum.org) |
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| My one quick shot of a dress on display |
You can also purchase the catalog from the show here.
I really enjoyed this show. Not just for the beautiful paintings, but because I learned something new about artists I have admired for years.
Monday, May 27, 2013
Show Announcement
Hi Everyone. I hope everybody had a good weekend. I have some exciting news to share with all of you. Friday afternoon I received word that my portrait of Rochelle was accepted into the Art of the Figure: A Juried Exhibition show at Gallery North on Long Island.
I can't tell you how pleased and honored I am to be included in this show. I will have more details as it gets closer, but the painting will be hanging from Friday, August 30, 2013 to Friday, September 27, 2013.
Gallery North
90 Old Country Road
Setauket, NY 11733
www.gallerynorth.org
Thank you to the gallery and to juror Philip Pearlstein for giving me this opportunity.
And now friends, even though it is a holiday here in the US, the peonies are waiting. Have a great day everybody!
Xo,
Frances
I can't tell you how pleased and honored I am to be included in this show. I will have more details as it gets closer, but the painting will be hanging from Friday, August 30, 2013 to Friday, September 27, 2013.
| Portrait of Rochelle |
Gallery North
90 Old Country Road
Setauket, NY 11733
www.gallerynorth.org
Thank you to the gallery and to juror Philip Pearlstein for giving me this opportunity.
And now friends, even though it is a holiday here in the US, the peonies are waiting. Have a great day everybody!
Xo,
Frances
Sunday, May 26, 2013
Blue And White
If you look through my still life paintings you will see that I love to use blue and white pieces in my set ups. As I mentioned in this post, I've been on the hunt for props for my new studio. I got myself a bunch of fabrics and I already had a lot of silver and crystal, but I did not have any blue and white china. Here are some examples of how I have used the blue and white props in my paintings.
These are just a few examples. I have many more, but the blue and white props do not belong to me. These were all painted in my teacher's studio. Now that I have my own space, it was time to get my own things.
First, I went to ebay, thinking I'd find some great deals, but that was not to be. Much of what I found there was very overpriced, some were even up in the hundreds. Obviously, that was not happening. Not only was the price out of my range, but you don't want to over spend on still life props. Accidents happen and a few will always get broken and the ones that survive long term will eventually end up with paint and other spots and stains on them. Next I tried poking around some vintage stores. Again, most things were overpriced, but I did find one vase to get me started.
Last weekend, on a whim, my hubby put estate sales into Craigslist and I hit the jackpot. He spotted a sale to sell the contents of "Grandma's finely furnished home" and there was a shot of the dining room packed with blue and white! We got ourselves out there asap as it was already noon and I was afraid that everything would be gone, but the still life gods were with me and I found a treasure trove of beautiful things.
Here is what I bought at the sale. There were many pieces still there, but I took my time and only bought what I would want to use in the paintings. If I had a large space to display everything, I would have bought it all, but that will have to wait until I win the powerball and buy my townhouse.
Aren't they beautiful? I can't wait to get them over to my studio so I can paint these great pieces. Grandma had many beautiful things. She obviously had impeccable taste and a great eye. The sale was run by a professional company so there were no family members around, which was a shame. I would have loved to find out more about Grandma as I could tell from her house and her belongings that she must have been a very interesting lady. In fact, I'm still obsessing over her house and if it wasn't so far out from the city and too far from the subway, I would have put in a bid then and there. There was even a glass enclosed sunroom that I was dying over. Could you imagine painting in there all day? I sure could.
If you love blue and white like I do, check out The Enchanted Home. Tina has a serious blue and white obsession and her amazing house is filled with gorgeous pieces. She also has a shop with some beautiful blue and white items available.
Also, Robert Johnson, a great artist and teacher of mine uses blue and white in his still life paintings as well. Click on over to see them. They are really beautiful. In fact, it was in a weekend workshop with him that I first discovered using blue and white pieces and how great they look in a painting.
I'm very excited to get to work with my new things. Of course, I'll post the new paintings as soon as they are ready.
These are just a few examples. I have many more, but the blue and white props do not belong to me. These were all painted in my teacher's studio. Now that I have my own space, it was time to get my own things.
First, I went to ebay, thinking I'd find some great deals, but that was not to be. Much of what I found there was very overpriced, some were even up in the hundreds. Obviously, that was not happening. Not only was the price out of my range, but you don't want to over spend on still life props. Accidents happen and a few will always get broken and the ones that survive long term will eventually end up with paint and other spots and stains on them. Next I tried poking around some vintage stores. Again, most things were overpriced, but I did find one vase to get me started.
Last weekend, on a whim, my hubby put estate sales into Craigslist and I hit the jackpot. He spotted a sale to sell the contents of "Grandma's finely furnished home" and there was a shot of the dining room packed with blue and white! We got ourselves out there asap as it was already noon and I was afraid that everything would be gone, but the still life gods were with me and I found a treasure trove of beautiful things.
Here is what I bought at the sale. There were many pieces still there, but I took my time and only bought what I would want to use in the paintings. If I had a large space to display everything, I would have bought it all, but that will have to wait until I win the powerball and buy my townhouse.
Aren't they beautiful? I can't wait to get them over to my studio so I can paint these great pieces. Grandma had many beautiful things. She obviously had impeccable taste and a great eye. The sale was run by a professional company so there were no family members around, which was a shame. I would have loved to find out more about Grandma as I could tell from her house and her belongings that she must have been a very interesting lady. In fact, I'm still obsessing over her house and if it wasn't so far out from the city and too far from the subway, I would have put in a bid then and there. There was even a glass enclosed sunroom that I was dying over. Could you imagine painting in there all day? I sure could.
If you love blue and white like I do, check out The Enchanted Home. Tina has a serious blue and white obsession and her amazing house is filled with gorgeous pieces. She also has a shop with some beautiful blue and white items available.
Also, Robert Johnson, a great artist and teacher of mine uses blue and white in his still life paintings as well. Click on over to see them. They are really beautiful. In fact, it was in a weekend workshop with him that I first discovered using blue and white pieces and how great they look in a painting.
I'm very excited to get to work with my new things. Of course, I'll post the new paintings as soon as they are ready.
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